Concerts in the Galleries: Simone Dinnerstein (Piano) & Rebecca Fischer (Violin)

Simone Dinnerstein is an American pianist with a distinctive musical voice. The Washington Post has called her “an artist of strikingly original ideas and irrefutable integrity.” She first came to wider public attention in 2007 through her recording of Bach’s Goldberg Variations, reflecting an aesthetic that was both deeply rooted in the score and profoundly idiosyncratic. She is, wrote The New York Times, “a unique voice in the forest of Bach interpretation.”

Since that recording, she has had a busy performing career. She has played with orchestras ranging from the New York Philharmonic and the Montreal Symphony Orchestra to the London Symphony Orchestra and the Orchestra Sinfonica Nazionale Rai. She has performed in venues from Carnegie Hall and the Kennedy Center to the Berlin Philharmonie, the Vienna Konzerthaus, the Seoul Arts Center and the Sydney Opera House.

Praised for her “beautiful tone and nuanced phrasing” (Boston Musical Intelligencer), violinist Rebecca Fischer is sought after as a highly expressive, intuitive performer of solo, chamber music and chamber orchestra repertoire. Garnering attention for her compelling programs of solo violin and singing violinist music, Ms. Fischer has premiered solo works by composers Lisa Bielawa, Missy Mazzoli, Nico Muhly, Paola Prestini, Mathew Fuerst, Augusta Read Thomas, Byron Au Yong, Pierre Jalbert and others. Recent solo recital engagements include Columbia University’s Miller Theater Pop-Up series, The Stone, and the University of Oregon. She is the concertmaster of Ensemble Baroklyn, a group run by pianist Simone Dinnerstein specializing in the music of Bach, and she performs regularly with other ensembles based in New York City. Ms. Fischer is also a member of The Afield, a multidisciplinary collaboration with visual artist/writer Anthony Hawley combining new and original compositions for violin, voice, and electronics with video and other media. The Afield has performed at the Harare International Festival of the Arts in Zimbabwe, Carnegie Hall, and the Atlanta Contemporary Museum, and has published work in Art Papers.

First-violinist of the Chiara String Quartet for eighteen years until the group’s final season in 2018, Ms. Fischer recorded and performed numerous works by heart, held residencies at the Metropolitan Museum of Art and Harvard University, and premiered many major new works by composers such as Gabriela Lena Frank and Philip Glass.

Tickets/More Info: https://ndmoa.com